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Smithson, Robert --- Contemporaries --- Site-specific installations (Art) --- Site-specific sculpture
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Site-specific installations (Art) --- Installations (Art) --- Site-specific art
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Avec « Dysfunctional », exposition organisée par la Carpenters Workshop Gallery, dix-sept artistes et designers internationaux se confrontent à l’architecture Renaissance du palais Ca’ d’Oro à Venise.Les lampes ou le mobilier-sculpture de Nacho Carbonell, Studio Drift, Vincent Dubourg et Virgil Abloh, les bancs organiques de Wendell Castle ou Mathieu Lehanneur, les horloges habitées de Maarten Baas sont autant de remises en question contemporaines des frontières existant entre les beaux-arts, l’architecture et le design.Entre artisanat et art, chacun de ces créateurs remet en cause la notion de fonctionnalisme à l’aune de son geste artistique, en se confrontant aux chefs-d’œuvre de la Ca’ d’Oro, de Mantegna à Van Eyck, réunis par le collectionneur Giorgio Franchetti. Must form still follow function, as Martin Gropius, Le Corbusier, and their followers proclaimed? Dysfunctional invites a reconsideration of the conventional relationship between artistic expression and functionality. In an exhibition organised by the Carpenters Workshop Gallery in the stunning setting of the Ca'd'Oro in Venice, site-specific works by 17 established and emerging artists explore the boundaries of art, architecture, and design. These contemporary artists draw on the rich heritage of Venetian craftsmanship and the museum's exceptional collection of Italian masterpieces to create a meaningful dialogue about the 20th century mantra of form following function. With work located in the realm between craft and art, each of the artists in the show challenges preconceptions about what is beautiful and what is useful, what is historical, and what is modern. Included here are site-specific installations and furniture-sculpture by Nacho Carbonell, Studio Drift, Vincent Dubourg and Virgil Abloh, organic benches by Wendell Castle and Mathieu Lehanneur, and inhabited clocks by Maarten Baas, among others.
Installation-art --- Site-specific installations (Art) --- Art, Modern
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Fabre, Jan --- Fabre, Jan, --- Site specific installations --- Themes, motives --- Exhibitions --- departement Beeldende Kunst 08 --- hedendaagse kunstenaars --- Site-specific installations (Art) --- Fabre, Jan, - 1958- - Themes, motives - Exhibitions --- Site specific installations - Belgium - Antwerp - Exhibitions --- Site specific installations - France - Paris - Exhibitions --- Fabre, Jan, - 1958 --- -Site specific installations
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Oscar Tuazon's work comprises large scale installations and sculptures, usually combines natural and industrial materials. Tinted by do-it-yourself etho, minimalist aesthetic, and vernacular architecture, his art maintains a precarious quality that questions the limits of objects and architecture, to redefine the physical experience of a building or a space. 'Live', volume 1, concentrates on a major exhibition of new sculptural works at Museum Ludwig called 'Alone in an empty room'. A full-scale reproduction of fragments of the artist's house in Los Angeles grafted onto the architecture of the Ludwig museum, the exhibition collapses two spaces together, producing a strange third space. 'Live', volume 2, comprises a photographic monograph of selected works covering the artist's unconventional production over the past five years. Combining documentation of significant individual works, exhibitions, and large-scale installations with the artist's own production documentation of works in the studio, the book is a unique look at works in progress.
Sculpture, American --- Site-specific installations (Art) --- Sculpture, American. --- Site-specific installations (Art) --- Tuazon, Oscar, --- Tuazon, Oscar, --- Tuazon, Oscar, --- Tuazon, Oscar, --- 2000-2099 --- Germany
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De Cock, Jan --- departement Beeldende Kunst 08 --- hedendaagse kunst --- Site-specific installations (Art).
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Site-specific installations (Art) --- Installations (Art) --- Site-specific art --- Sigman, Jill.
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James Turrell's first exhibition in a New York museum since 1980 focuses on the artist's groundbreaking explorations of perception, light, color, and space, with a special focus on the role of site specificity in his practice. At its core is 'Aten Reign' (2013), a major new project that recasts the Guggenheim rotunda as an enormous volume filled with shifting artificial and natural light. One of the most dramatic transformations of the museum ever conceived, the installation reimagines Frank Lloyd Wright's iconic architecture - its openness to nature, graceful curves, and magnificent sense of space - as one of Turrell's Skyspaces, referencing in particular his magnum opus the 'Roden Crater Project' (1979- ). Reorienting visitors' experiences of the rotunda from above to below, 'Aten Reign' gives form to the air and light occupying the museum's central void, proposing an entirely new experience of the building.
Light in art --- Site-specific installations (Art) --- Turrell, James --- Turrell, James. - Aten reign
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